From a really early stage in the planning, Day 8 was always going to be one of our most challenging of the whole Pier Pressure experience. Although not one of the longest days in terms of pure distance to travel, we were starting the day on the Isle of Wight, had 9 piers to visit, two ferries to cross and originally planned to end up at Exeter for the night.
As time went on, the challenges for day 8 began to mount, some through no fault of our own, some through decisions I made and some through plain old stupidity. To set the complexities and challenge of Day 8 in context I need to set the scene with some background information before getting into my story in full.
Back Story 1….. Waiting for BonaparteI need to take you all the way back to 1986. Imagine a very skinny, pimply and slightly more hairy 19 year old black country bloke and his mate who have just left 6th form. They had decided to hook up with a couple of mates form school and form a band…
Below is an extract from the now defunct band web site which gives a potted (or slightly potty) history of the Midlands band that would become to be known as Waiting for Bonaparte.
WFB basically came about when one day, sometime in the last century, two spotty faced (and decidedly hairier) schoolchums decided to purchase two guitars at the grand price of £2 per week over 40 weeks (thank you Grattans!). Now Chad, being slightly better at maths than Mart W (Fingers) soon realised that a Bass having only four strings, would be easier to plonk a tune out of than the more complicated 6 string lead variety thingy.
2 weeks later and the lads took delivery of a pair of Encore guitars, a glaring white lead and a black heavy piece of 3" x 2" cleverly disguised as a bass.

Chad and Mart then spent the next few weeks learning about notes and those damned chourdy things and joined up with singer, songwriter (and keyboardist) Big Chris Tarplee. Sounds grand, but Chris was in fact another mate from school who had actually had a couple of music lessons thereby making him the most 'talented' at that time.
The next few months saw the three make an awful racket in either of their respective bedrooms, much to the annoyance of all families concerned. This was until Chris's mate from down the pub, the even bigger Austin Massey, was persuaded to drum with the lads, due mainly at the time to:
1. he was the only drummer they knew and
2. they could practice in his parent’s front room on a Sunday.
The four lads now needed a name. Now this is where Chris can never be forgiven, "I've had this name in my head for a while" said he, "how about JUSTICE LIMITED?". For some unknown reason the rest, probably in a state of complete apathy, agreed.
So on to their first gig at Chad's, Chris' and Austin's local boozer - The Prince of Wales in Rounds Green, Oldbury. A tough test in front of a home crowd but the guys performed great, 6 numbers went down a storm, 3 self-penned, 3 covers (2 Beatles and a U2!) and they even won the Christmas talent contest that night. Flush with success, they agreed to perform on Boxing Night at the same venue (only 7 days on) and this time for cash. Problem was stretching 6 songs over a two hour set was impossible making for a less than memorable night.

Soon after Chris left to pursue a career of drinking gambling and boozing, leaving the way open for a new singer to slot in.
Now Mart came home one day proclaiming a friend at work had a mate who had done a little bit of backing and wouldn't mind singing with 'the band'. In step Alison Dixon (as she was in those days). A very quick name change to the SMALL HOURS (the band not AL!), a few months learning some quite dreadful cover versions and once again the bright lights and big stage of the Prince of Wales opened its doors to the new line up. In fact, the SMALL HOURS only ever performed once outside of the POW, guesting at Ruth (Chad's girlfriend) 21st party.

A few weeks later, the threat of stardom and a court case form an American Band called The Small Hours, scared Austin so much he had to leave (in fact it was more like the threat of his girlfriend who was jealous of a girl being in the band). A few months rest was taken before Alison called to say her young sister, Jo was seeing a lad who was drumming in a band but was interested in joining up with 'the band'. Walking into the Red Room at Rich Bitch studios the three were met not only by Connel (the would be drummer) but also a skinny, long haired strip of nothing 16 year old Rob Clarke (later to become known to the world as 'Purple Robbie').
This meeting resulted in the new somewhat larger line up of Chad on Bass, Mart W on Lead, Al on Vocals, Jo on Backing Vocals, Connel on Drums and Rob C on Rhythm. Little did the guys know that Rob C only knew three chords at the time and would hide the fact well until the first rehearsal the week later, by which time no one had the heart to kick him out.
A few heavy months of rehearsing a myriad of covers and the band was ready to face an audience. The opportunity arose to perform at Chad's VW Club's Crimbo Bash at the infamous Hen and Chickens pub in Warley but they needed a name. Chad, in a drunken stupor, laughingly said to the guy organizing the event, just bill us as THREE MEN AND A CROWBAR in honour of some tight nickered girl he had met on a ski trip that year.
The gig was a surprising success, spurring the band into doing more gigs. However, for some reason unknown, the rest of the band didn't much like the name and a new one was sought. After much deliberation, the name 'Waiting For Bonaparte' was settled upon (sometime in 1990), coming from an album by 'The Men They Couldn't Hang', a particular favourite of a number of the band members.

The next two years saw numerous gigs around the Birmingham area and one unforgettable gig in Coventry where there were six in the band and only five in the audience (including the dog!). During this time WFB ventured into the song writing world and penned their first track Her Song, closely followed by Weekend In Paradise and Lamb to the Slaughter. After dabbling with a few poor quality home 4 track recordings, The Demo Tapes Part One was recorded 'properly' at the Depot Studios, Coventry in August 1991.
However, the WFB ship sailed less than smoothly, due in the main to a conflict of attitudes between Connel and all bar one other in the band. This resulted in Connel being 'persuaded to take a different path' to the rest of the band, with Jo unfortunately following loyally behind.
WFB were faced with the eternal problem on needing to find a drummer. Following up on an advert on a studio wall, Jane Clews joined the band in the summer of 1992. Jane was a left handed woman drummer, now that was different. However, Jane's stay was very short and only after a couple of gigs, she left the band due to pressures of work, boyfriend and a family band requiring her services.
Drummer four came in the guise of the boyfriend of a work colleague of Al's, namely Kevin Dogherty. With Kev in the hot seat, WFB started once more producing their own music and gigs were now becoming more of a 50/50 own music to covers affair.
Unfortunately Kev was playing with two bands at the time and once again, after what seemed a very short time, Kev left WFB to concentrate full time on his first band, 'Suicidal Sperm'! (A band in which Chad moonlighted for one gig as the regular bassist had broke him wrist playing footy!)

1994 had now arrived and once again WFB found themselves without someone to bang the skins. At this time they could easily have jacked it all in and taken up a more simple and less time consuming hobby. Staring sense and reason straight between the eyes, before blissfully stepping aside and walking straight past, the 4 remaining members of the band decided to hunt for a new drummer and carry on. As luck would have it, Chad's neighbour from a couple of doors down played drums and was currently without band.
In step (or sit!) Rich 'Bouncy' Ball. Taking up the hot (or at least slightly sweaty vinyl drummer's) seat, Rich, although being as young as Rob Purple, soon fitted in perfectly.

After nearly four years since their first recording, WFB had penned more and more of their own material and in 1995 the band went on to record their second (Worship and Rhyme), third (Behind the Veil) and fourth (Hope) demo tapes in the space of 11 months at the Magic Garden studios in Wolverhampton.
Through 1996 things started to take a bit more of a serious direction and saw the band planning a number of gigs at more illustrious venues such as the Robin R n B Club and JB's in Dudley as well as venturing as far as the Isle of Wight for the infamous Appledurcombe Tour.

In that year WFB also entered the Bass Breweries Battle of the Bands contest, held at JB's in Dudley. Judged by judges on musical prowess rather than the more typical 'who's got the most mates' format, WFB went on to finish runners up from 148 bands. Every round win was met with much surprise as JB's was traditionally associated with heavy styles of music. The most memorable of the rounds was the semi-final, watched t the time by over 600 people, but one of those in particular would have more to add to this tale than most.






At the time Chad worked in the same building as a guy who played Keyboards who came along to one or two of the rounds to give support. 3 months later Mr Martin P Dando had been squeezed into the rehearsal room and WFB had finally become their now familiar 6 piece. Also at this time, Chad's longest serving friend Jon Boz decided to help out the band and became an unofficial manager for a while.

After a hectic summer of gigs and competitions the band took time out to write and record their fifth demo tape - How Many are the Faces, which had a more rockier and folkier (if that makes sense?) feel to it than much of the others before, with the added bonus of Mr Dando's keyboards and pianos filling out the sound. At the same Time Mart W and Al somehow managed to fit in a wedding (to each other) to at least ensure neither would leave the band.



In 1998, after spending another 18 months or so playing, writing, having radio interviews on 107.7 Wolf FM and recording the sixth and final WFB offering on tape, Blackened Land, it came to pass that Rich needed to take a rest from the band due to increasing real work commitments. Its fair to say that in Rich's 4 or so years with the band they had progressed into a more solid, dare say, professional group and had even managed to collect a bag full of record company rejections along the way. At around the same time Jon Boz also had to also withdrawn his services to concentrate on his real job of selling ceramic tiles.
In the following 6 months WFB carried on writing new material, released their first CD The Magic Sessions (a compilation of tracks taken from their 5 previous demo tapes) and even laid a track down using a drum machine in Rich's absence.

This track, As the Silence Ends, can be found on WFB's CD EP Older Wiser? Unfortunately Rich wasn't able to return to the band and once more WFB found themselves without a drummer. In February 1999 a simple advert was run in the local Express and Star paper: 'Folk rock band seeks drummer, own transport and good sense of humour essential, sense of rhythm and timing favourable'.
After auditioning a number of hopeful applicants (OK, there were 2), it was more than obvious that one was perfect for the job, in that 1. He didn't smoke, 2. He had his own car, 3. He was older than Mart W (much to his joy) and 4. He held a musket license, being an active member in the Sealed Knot re-enactment society... oh and he could hold a rhythm, (unlike the other bloke). In March 1999 WFB bid a much needed welcome to Mr Pete Baggott. Pete soon fitted in perfectly and was (and still is) actually interested in the folk rock style WFB were now favouring more and more.
Since March 1999 the WFB line up has remained stable and Pete has well and truly been stuck to the infamous Bonaparte drummer's seat..(suppose he should wear underwear!). During Mr Baggott's reign WFB went on to record two CD EP's, Older Wiser? released in November 1999 and Odd Ones in August 2001, both recorded in Mart W's all new 16 track digital recording studio, the 'Boiler Room', based at his home at the time in earthquake ridden Dudley.

During the time that followed WFB took to playing regularly around the Midlands at such venues as the Rock Cafe 2000, The Robin 2 and basically anywhere that will have them. Highlights of this time involve entertaining 4000 people at the annual Sealed Knot muster in Peterborough during September 2001, supporting that bloke who sung 'where ever I lay my hat' in Stourbridge and finally moving to a rehearsal rooms that have good equipment, The Madhouse in Birmingham.





In 2005 WFB released their last final CD of self penned tracks, named ironically ‘Thanks but No Thanks’ as a homage to the pile of rejection letters collected from short sighted record PnR guy through the years.
